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Art Actually by Kristine Schomaker
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The Critical Eye by Phil Tarley
Subscribe
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The Magazine
Current Issue
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Visual Arts
Art
Photography
Fresh Faces in Art
Performance
Reviews
Los Angeles
Albuquerque
Chicago
Dallas
Denver
Denver/Boulder
Encinitas
Houston
Irvine
Columns
Art Actually by Kristine Schomaker
Peripheral Visions: Perspectives on Culture, Media, and Performance by Jacki Apple
The Critical Eye by Phil Tarley
Subscribe
Magazine
The Magazine
Current Issue
Previous Issues
Advertise
About
Contact Us
Visual Arts
Art
Photography
Fresh Faces in Art
Performance
Reviews
Los Angeles
Albuquerque
Chicago
Dallas
Denver
Denver/Boulder
Encinitas
Houston
Irvine
Columns
Art Actually by Kristine Schomaker
Peripheral Visions: Perspectives on Culture, Media, and Performance by Jacki Apple
The Critical Eye by Phil Tarley
Subscribe
Magazine
The Magazine
Current Issue
Previous Issues
Advertise
About
Contact Us
Douglas Tausik Ryder: Body Language
Craig Kucia: Unnatural Disasters
Judy Dater: Only Human
Tony Berlant: Fast Forward
REVIEWS
Hương Ngô: Reap the Whirlwind
Judith Geichman: Diamond
Celeste Rapone and Betsy Odom: Everlast
Hairy Who? 1966—1969
Cult of the Machine: Precisionism and American Art
Vincent Valdez: Dream Baby Dream
Fernando Casas: Limits & Proximities
Daisy Patton: A Rewilded Arcadia & Daisy Patton: This Is Not Goodbye
In the Here and Now: <br>Site-Specific Performance
Margaret Neumann: What Lies Between
Currency: What Do You Value?
David Simpson: Illumination
Blessed Be: Mysticism, Spirituality, and the Occult in Contemporary Art
Marie Watt: Companion Species Calling Companion Species
Gary Hill: Linguistic Spill ([Un]Contained)
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Recent Stories
Xi Hou: Transiency
Lia Halloran: Artist-in-Residence
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Palm Springs Art Museum – Women Of Abstract Expressionism
