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April 2016

Playing a strategic game upon the surface of his often raw, large-scale, stitched together canvases, Cheatwood plays a set of related decisions in a step-by-step rejoinder to each possible move. The working process plays out on the studio floor, as the artist simultaneously moves from

Stephanie Pryor’s new paintings are technically abstract, but in truth, exist along the border of abstraction and representation, a liminal area Pryor is especially adept at navigating. Though these luminous, strange and engaging pictures follow conventions of landscape, her palette is too intense and distinctive