Lux Art Institute Lia Halloran: Artist-in-Residence September 7—November 3, 2018 Los Angeles–based Lia Halloran has long explored the intersection of art and science, an idea manifest in the artist’s choice of both subject and medium. In her recent series, Halloran traces the cyanotype process back to its origins.
January 21–June 3, 2018 The Romantic notion of the sublime continues to haunt our consciousness, often accompanied by a healthy dose of critique. The concept, most famously articulated in the influential writings of Edmund Burke and Immanuel Kant, posits, in a simplified version, that a form
November 11, 2017–January 27, 2018 The installation of Adam Silverman’s current exhibition at Cherry and Martin is immediately striking. A circle cut through the gallery’s dividing wall, à la Gordon Matta-Clark, becomes a proscenium through which a promenade is constructed. This elevated pathway consists of darkly
California African American Museum (September 15, 2017–February 25, 2018) Chinese American Museum (September 15, 2017–March 11, 2018) The Caribbean is a complex and vibrant region overlaid with multiple histories. Part of the Getty’s Pacific Standard Time: LA/LA initiative, Circles and Circuits I & II: Chinese Caribbean Art is a
Von Lintel Gallery Kysa Johnson: As Above, So Below (June 24—August 19, 2017) The infinite expanse of the universe is a sublime concept. That the universe is also infinitely small is an equally wondrous and mind-boggling conundrum. Merging these two concepts might seem a vast undertaking, but it
