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October 21–December 1, 2017   Erika Lizée’s installations are mathematically driven. She finds beauty in the complex patterns of geometry and uses phenomena like the Fibonacci sequence to create forms that follow the curves of the golden spiral. In her multi-layered works, Lizée assembles painted pieces of

November 11, 2017–January 27, 2018   The installation of Adam Silverman’s current exhibition at Cherry and Martin is immediately striking. A circle cut through the gallery’s dividing wall, à la Gordon Matta-Clark, becomes a proscenium through which a promenade is constructed. This elevated pathway consists of darkly

November 2–December 16, 2017   This exhibition of a small number of massive new paintings represents a return to form for this vital and beloved contemporary master. Technically, the depth, richness and precision of Ford’s fantastical realism represents the pinnacle for watercolor on paper—even more impressive at

October 14–November 11, 2017   In blending motifs culled from architecture, design and nature, these two artists already make work that constitutes its own study in contrasts and hybridity; exhibited together, multiple crosscurrents bring out facets of each in the most enlightening manner. Taking full advantage of

September 16, 2017–January 28, 2018   Part—perhaps even the high point—of Pacific Standard Time: LA/LA, Golden Kingdoms: Luxury and Legacy in the Ancient Americas, is a spectacular exhibition created by Metropolitan Museum curator Joanne Pillsbury, Getty Museum director Timothy Potts and Getty Center researcher Kim Richter. It’s