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Roberta Gentry’s paintings are modestly-scaled gems that begin on a gridded ground and extrapolate outward into self-described “impossible structures.” Every composition is—obsessively—symmetrical. As an abstract practitioner, Gentry is on the Agnes Martin side: she doesn’t like disorder in any form. She gains great satisfaction from

Art, Art About Town, Artful Affairs, Artists, Collecting Art, Commentary, Current Exhibits, Emergent, Exhibit, Exhibition, Featured, Features, Galleries, Gallery Reviews, Interior Design, Mixed Media, Sculpture

The world’s nations’ continuous need to operate and survive through this exuberant Anthropocene period has drained every earthly resource, reaching now into our privacy and attempting to control the flow of the Internet, our virtual river. People and industry continue to struggle in conflicting cultures.

Art, Art About Town, Art Fairs, Artists, Commentary, Current Exhibits, Emergent, Exhibit, Exhibition, Galleries, Gallery Reviews, Miscellaneous, Mixed Media, Sculpture, Uncategorized

September 21, 2017–December 7, 2017   Jacques Derrida deconstructed Plato’s concept of khĂŽra, stating, “One cannot even say of it that it is neither this nor that or that it is both this and that.” If that sounds perfectly unclear, that is the point. In ancient Greece,

Art, Art About Town, Artists, Collecting Art, Current Exhibits, Exhibit, Exhibition, Featured, Features, Galleries, Gallery Reviews, LA Story, Miscellaneous, Mixed Media

September 17–November 4, 2017   Franklin Williams emerged in the early 1960s with the burgeoning Funk movement in northern California, exercising astounding technique on whatever materials and formats he essayed. The results are as beautiful, peculiar and even hilarious now as they were a half-century ago. There’s

Art, Art About Town, Artists, Emergent, Emerging Artist, Exhibit, Exhibition, Featured, Features, Galleries, Gallery Reviews, Miscellaneous, Mixed Media, Sculpture, Uncategorized

October 21–December 1, 2017   Erika LizĂ©e’s installations are mathematically driven. She finds beauty in the complex patterns of geometry and uses phenomena like the Fibonacci sequence to create forms that follow the curves of the golden spiral. In her multi-layered works, LizĂ©e assembles painted pieces of