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October 14–November 11, 2017   In blending motifs culled from architecture, design and nature, these two artists already make work that constitutes its own study in contrasts and hybridity; exhibited together, multiple crosscurrents bring out facets of each in the most enlightening manner. Taking full advantage of

It is logical that the paintings of Los Angeles artist Amir H. Fallah contravene logic. They are surprisingly harmonious composites of numerous unrelated, even contradictory, parts. While his paintings involve complex layering and the deliberately distorted treatment of light—suggesting three-dimensional space—the subjects are flat. Whereas

For five decades, Ben Sakoguchi has maintained a clear and consistent artistic vision, addressing a variety of heated topics, including war, racism, bigotry, politics, slavery, AIDS, human folly and art-world economics. Rather than approach such potentially controversial issues in an obtuse or confrontational manner, Sakoguchi

September 17, 2017–February 25, 2018   Part of PST: LA/LA, this eye-opening exhibition reveals the complexities of identity categorization in the 21st century, while also providing opportunities for exploring an intriguing commingling of aesthetic and socio-political themes. Organized collaboratively by six curators, the exhibition presents works in

California African American Museum (September 15, 2017–February 25, 2018)   Chinese American Museum (September 15, 2017–March 11, 2018)   The Caribbean is a complex and vibrant region overlaid with multiple histories. Part of the Getty’s Pacific Standard Time: LA/LA initiative, Circles and Circuits I & II: Chinese Caribbean Art is a