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LAUNCH LA, Los Angeles (NOVEMBER 14—DECEMBER 5, 2015) With their reconfigured pudding-like puddles of blossoming color interlaced with psychedelic delectability, Marion Lane’s paintings are a sort of contemporary hybrid of the poured creations of Lynda Benglis and dazzling op-art innuendos – all accompanied by mysterious echoes of

MACHINE PROJECT, LOS ANGELES (OCTOBER 2—DECEMBER 14, 2015) Machine Project always sets the bar high for ambiguous, whimsical programming, but Patrick Michael Ballard’s Return to Foreverhouse was one of its more intensely immersive installations. For one hour, the viewer and five close friends (or curious strangers) were

In mutating various methodologies of painting’s past, Bradley utilizes Photoshop to order the information. This allows his work to investigate the languages of painting distanced from the original source and with a dispassionate eye. Of course, during the actual painting, some intuitive elements return, but