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Emerging Artist

Roberta Gentry’s paintings are modestly-scaled gems that begin on a gridded ground and extrapolate outward into self-described “impossible structures.” Every composition is—obsessively—symmetrical. As an abstract practitioner, Gentry is on the Agnes Martin side: she doesn’t like disorder in any form. She gains great satisfaction from

October 21–December 1, 2017   Erika Lizée’s installations are mathematically driven. She finds beauty in the complex patterns of geometry and uses phenomena like the Fibonacci sequence to create forms that follow the curves of the golden spiral. In her multi-layered works, Lizée assembles painted pieces of

October 14–November 11, 2017   In blending motifs culled from architecture, design and nature, these two artists already make work that constitutes its own study in contrasts and hybridity; exhibited together, multiple crosscurrents bring out facets of each in the most enlightening manner. Taking full advantage of

It is logical that the paintings of Los Angeles artist Amir H. Fallah contravene logic. They are surprisingly harmonious composites of numerous unrelated, even contradictory, parts. While his paintings involve complex layering and the deliberately distorted treatment of light—suggesting three-dimensional space—the subjects are flat. Whereas