     âOne reason that techno-utopians donât worry about the loss of human meaning  is because theyâre not particularly attached to humans.â      âThe point of art âŚis to reflect on the experience of being human--- which is precisely the
Aspect/Ratio HĆ°ĆĄng NgĂ´: Reap the Whirlwind September 7âOctober 20, 2018 In HĆ°ĆĄng NgĂ´âs latest exhibition, Reap The Whirlwind, the artist samples archival documents, vintage pulp novels, film sequences and historic postcards to recover representations of Indochinese women. Using distinct material reproduction techniques, NgĂ´ questions the politics of the
Corbett vs. Dempsey Celeste Rapone and Betsy Odom: Everlast September 21âOctober 27, 2018 The work of Celeste Rapone and Betsy Odom linked up seamlessly to advance an exhibition steeped in unequivocally gendered pictorial and sculptural invention. The exhibitionâs title, Everlast, evokes the eponymous boxing glove manufacturer, suggesting a
Gremillion & Co. Fine Art Fernando Casas: Limits & Proximities September 13âOctober 13, 2018 Limits & Proximities: A Survey of Works Spanning Six Decades, summarized the artistic oeuvre of Bolivian-born Fernando Casas. The seminal piece in the exhibition is the nearly six-by-seven-foot âInterior with Disappearing MirrorâAfter Velazquezâ (2018). âThis
Photo L.A. took a year off and transitioned from Stephen Cohenâs directorship to Claudia James-Bartlett, the new head of the fair. James-Bartlett worked hard to reinvigorate the Los Angeles classic photography exposition, which is the longest running art fair west of the Hudson River. First off,