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Exhibit

​​Inka Essenhigh: Party of the Flames and Flowers (Enamel on canvas, 48 x 55 inches, 2017) at ​Miles McEnery Gallery, New York​,​ ​ALAC 2018​ January 25-28, 2018   In its ninth year, Art Los Angeles Contemporary (ALAC), produced by Tim Fleming’s Fair Ground Associates, sizzled with even more

The Critical Eye by Phil Tarley The ninth edition of Art Los Angeles Contemporary at the Barker opened Thursday night. The VIP preview brought out crowds of collectors artists and enthusiasts.  Federico Solmi’s wildly political, anti-Trump, and hotly color saturated video boxes were one of the massive hits of

Roberta Gentry’s paintings are modestly-scaled gems that begin on a gridded ground and extrapolate outward into self-described “impossible structures.” Every composition is—obsessively—symmetrical. As an abstract practitioner, Gentry is on the Agnes Martin side: she doesn’t like disorder in any form. She gains great satisfaction from

The world’s nations’ continuous need to operate and survive through this exuberant Anthropocene period has drained every earthly resource, reaching now into our privacy and attempting to control the flow of the Internet, our virtual river. People and industry continue to struggle in conflicting cultures.

September 21, 2017–December 7, 2017   Jacques Derrida deconstructed Plato’s concept of khôra, stating, “One cannot even say of it that it is neither this nor that or that it is both this and that.” If that sounds perfectly unclear, that is the point. In ancient Greece,