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Corbett vs. Dempsey Celeste Rapone and Betsy Odom: Everlast September 21—October 27, 2018 The work of Celeste Rapone and Betsy Odom linked up seamlessly to advance an exhibition steeped in unequivocally gendered pictorial and sculptural invention. The exhibition’s title, Everlast, evokes the eponymous boxing glove manufacturer, suggesting a

Gremillion & Co. Fine Art Fernando Casas: Limits & Proximities September 13—October 13, 2018 Limits & Proximities: A Survey of Works Spanning Six Decades, summarized the artistic oeuvre of Bolivian-born Fernando Casas. The seminal piece in the exhibition is the nearly six-by-seven-foot “Interior with Disappearing Mirror—After Velazquez” (2018). “This

Center on Contemporary Art (CoCA) Gary Hill: Linguistic Spill ([Un]Contained) July 26—September 29, 2018 Linguistic Spill ([Un]Contained), exhibited last summer through early fall, was connected to a similar concurrent project of Gary Hill’s at the Museum of Art, Architecture and Technology (MAAT) in Lisbon, Portugal. Meanwhile, Hill’s Seattle Central

Russo Lee Gallery Ko Kirk Yamahira: deconstruction and reconstruction October 4—27, 2018 Obsessively meticulous and labor-intensive in their construction, borderline perverse in their fetishization of process and materials, Ko Kirk Yamahira’s mixed-media constructions push painting into the realm of the sculptural. The works begin as color-field paintings or silkscreens,