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Casemore Kirkeby Gallery SunĂ© Woods: This Body is Alive September 8—November 17, 2018 SunĂ© Woods’ beautifully paced and installed exhibition invokes a dreamy world, aqueous yet earthly, in which bodies are alternately at rest and in motion.  Movement is either portrayed directly  –  a 21-minute video features Woods

Beall Center for Art + Technology, University of California, Irvine R. Luke DuBois: Music into Data::Data into Music September 29, 2018— February 2, 2019 Set in a darkened exhibition space, lit primarily by videos, Music into Data::Data into Music explores the auditory, visual and verbal structures and underpinnings of

Craig Kucia: unnatural disasters Ibid Gallery, Los Angeles November 17—December 15, 2018 Craig Kucia’s paintings on canvas and paper provide a crash course in 20th century art history – each one of them. They contain accumulated techniques and stylistic denominators referencing and recombining, in various ratios, Guston, Braque,

Tony Berlant: Fast Forward Kohn Gallery September 22—November 2, 2018 From the start, Tony Berlant’s technique, engaging eccentric cuttings of printed metal affixed with brads to flat surfaces, has proven so readily identifiable that it not only represents, but signals the artist. The method effectively brands Berlant in

November 16–February 10, 2019 J. Paul Getty Museum, Getty Center   I know Sally Mann’s work from her 1988 exhibition At Twelve: Portraits of Young Women. Those sweet and beguiling nude images of her young children were highly controversial and fanned the most virulent flames of sex phobia.  A tour of the Getty’s massive