Gallery Reviews – Fabrik Magazine

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THE GUTTER ART OF STEPHEN VARBLE: QUEER PERFORMANCE IN THE 1970S

Stephen Varble in the Demonstration Costume Chemical Bank Protest, March 1976. Photographs By Greg Day March 1, 2019 – May 17, 2019 Evocative, Elegant and Edgy, Greg Day’s photographs of guerilla performance artist Steven Varble, transports viewers back to the sizzling, streets of Manhattan in the 1970s. Masterfully curated for the One

Art, Artists, Commentary, Galleries, Gallery Reviews, Houston, Mixed Media, Painters, Photography, Reviews

Vincent Valdez: Dream Baby Dream

David Shelton Gallery Vincent Valdez: Dream Baby Dream September 7—November 10, 2018 Some works of art possess the uncanny ability to attract new layers of significance. Usually this happens over a long period of time, but on occasion, new meanings accrue quickly. Such is the case with the

Art, Artists, Denver, Event, Exhibit, Featured, Gallery Reviews, Painters, Profile, Reviews

Margaret Neumann: What Lies Between

RedLine Margaret Neumann: What Lies Between November 10, 2018—January 6, 2019 What Lies Between is the largest and most significant exhibition of the nearly 50-year painting career of Denver artist Margaret Neumann, who is represented by Rule Gallery. Put together by independent curator Simon Zalkind, the survey fills the

Albuquerque, Art, Artful Affairs, Artists, Commentary, Current Exhibits, Emergent, Exhibit, Exhibition, Galleries, Gallery Reviews, Iconoclasts, Lifestyle, Painters, Profile, Reviews

Currency: What Do You Value?

516 Arts Currency: What Do You Value? November 17, 2018— February 23, 2019 Walking into the polemical exhibition Currency: What Do You Value? is a bit like stepping onto the set of Toho Studio’s 1961 B-movie sci-fi thriller “Mothra” about a mythical monstrous moth, mutated by nuclear radiation, that

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David Simpson: Illumination

Charlotte Jackson Fine Art David Simpson: Illumination October 5—November 3, 2018 Incorporating Interference paints — transparent formulas containing reflective coated mica flakes — over his mono-pigmented works, David Simpson has managed to capture one of the most elusive elements of painting: light. One of the earliest post-painterly abstractionists,

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