Dallas Museum of Art Cult of the Machine: Precisionism and American Art September 16—January 6, 2019 Cult of the Machine: Precisionism and American Art presents an engaging and thorough investigation into the dialogue between fine art and industry during the era of American ascendance early in the last
K Contemporary, Denver Daisy Patton: A Rewilded Arcadia October 6—27, 2018 CU Art Museum, Boulder Daisy Patton: This Is Not Goodbye July 19—November 17, 2018 At its most basic, Daisy Patton’s work revolves around selecting old family photos from random sources, enlarging them several times over, and essentially defacing them with
Charlotte Jackson Fine Art David Simpson: Illumination October 5—November 3, 2018 Incorporating Interference paints — transparent formulas containing reflective coated mica flakes — over his mono-pigmented works, David Simpson has managed to capture one of the most elusive elements of painting: light. One of the earliest post-painterly abstractionists,
Museum of Contemporary Art Tucson Blessed Be: Mysticism, Spirituality, and the Occult in Contemporary Art September 15—December 30, 2018 Even as traditional religious practice wanes in American life, pop culture is laced with pseudo-spirituality, from mediums turned TV stars to tarot cards as party trick. Enter the art
Center on Contemporary Art (CoCA) Gary Hill: Linguistic Spill ([Un]Contained) July 26—September 29, 2018 Linguistic Spill ([Un]Contained), exhibited last summer through early fall, was connected to a similar concurrent project of Gary Hill’s at the Museum of Art, Architecture and Technology (MAAT) in Lisbon, Portugal. Meanwhile, Hill’s Seattle Central
