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The Critical Eye by Phil Tarley

November 16–February 10, 2019 J. Paul Getty Museum, Getty Center   I know Sally Mann’s work from her 1988 exhibition At Twelve: Portraits of Young Women. Those sweet and beguiling nude images of her young children were highly controversial and fanned the most virulent flames of sex phobia.  A tour of the Getty’s massive

Two Boys On A Beach, 1938 Paul Cadmus October 13th – November 17th, 2018   John Wolf''s magical juxtaposition of a secret art exhibition embedded into one of Los Angeles' most erotic collections, adds nuanced context and delightful cross-conversations within the Tom House's prevailing mise-en-scene. Known for his use of unconventional space,

In his first solo exhibition at Louis Stern Fine Arts, Seann Brackin's effervescent artworks are having constant conversations within his joyful, boisterous compositions. In the artist's sumptuously layered canvasses, curved forms boomerang explosively outward and luminous spheres orbit one another in a lively dance. They are filled