CASA 0101 THEATER Born in Nagasaki, Hideo Sakata has worked in Los Angeles for almost four decades, but his sensibility remains thoroughly Japanese in its visual tenderness and its search for mindful repose—that is, a condition of perception at once aware of the real world and
SUSANNE VIELMETTER LOS ANGELES PROJECTS Shana Lutker’s demi-stages, rigorously designed quasi-architectural sites that at once frame and enact art-historical moments, would seem to have little to do with the eccentric geometries Bart Exposito paints and draws. But Exposito’s keenly described, looping (and loopy) lines and his
OCEANSIDE MUSEUM OF ART America’s love-hate relationship with modern art came to something of a head in the 1940s and ‘50s, when the middle class finally reached a level of security and could afford to exercise a modicum of intellectual curiosity (a modicum maintained with notable
In the summer of 2013, a train traveled 4,000 miles from New York City to San Francisco. It was a kinetic light sculpture, decked out in LED lights that responded to motion and sound. On board was an eclectic mix of artists, musicians and writers
At LACMA’s exhibition Variations: Conversations in and Around Abstract Painting, which closed in March 2015, Dianna Molzan’s small, spare work occupied a wall towards the rear of the gallery space. In the midst of monumental works by Mark Bradford, Mark Grotjahn, and Rashid Johnson, Molzan’s
