Lawrence Gipe: Where We Were, and How We Got There | Robin Cole Smith: Afterglow
LORA SCHLESINGER GALLERY The rhetorical but self-critical nostalgia that is Lawrence Gipe’s stock in trade has little to do thematically with Robin Cole Smith’s gentle paeans to nature. Indeed, Gipe’s thunderous, cinematic conjurations of an industrial modernism, seemingly glorifying the 20th century’s technological triumphalism, would seem