Art Indigenous Santa Fe: August 18 to 21, 2022 Located at the end of the historic Santa Fe trail, the city of Santa Fe has long been a commercial and cultural mecca. Founded in 1610, Santa Fe became a trading post in the 1800s, and went
Dodge navigates through his intellectual obsessions with playful and absurd mixed media sculptures (and accompanying drawings), assembled from the found detritus of urban living. They are colorful, visceral, and fun, but a little threatening, like clowns or fools. And like the role fools traditionally inhabited,
Power identities and fetish roles outstrip partner selections, manifesting carnal knowledge of the nth degree in Kim Ye’s open source locker room politics. Her performances are corporeal prescriptions: sculptures of desire, paintings of allure, installations and video which are bondage lairs, irresistibly inviting booby traps
Public intervention in a designed environment can animate surfaces, mobilize boundaries that unfold into immeasurable expansions in their use, and turn private space inside out into public domain. Nate Page investigates the intangible issues of psychological significance that tend to be ignored in environmental decisions.
Spanbock’s large formal controlled sweeps of the brush, laden with limited palette ranges, both engage with aspects of painting, particularly abstract expressionism, while refuting the emotionalism of the gestural movement. The paintings rely on the basics—color, stroke, materiality, and composition—but retain their identity as markers
