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Spanbock’s large formal controlled sweeps of the brush, laden with limited palette ranges, both engage with aspects of painting, particularly abstract expressionism, while refuting the emotionalism of the gestural movement. The paintings rely on the basics—color, stroke, materiality, and composition—but retain their identity as markers

CAROLINE TUFENKIAN FINE ARTS, GLENDALE (NOVEMBER 8—DECEMBER 10, 2015) Over the past few years, the Yerevan-born, Berlin-based Sam Grigorian has generated a remarkable body of collage—remarkable not only for the delicacy of its tonality and the power of its non-objective imagery, but for its dramatic engagement of

SEYHOUN GALLERY, WEST HOLLYWOOD Brothers of Turkish extraction living and working in Iran, Ali Alizadeh and Ebrahim Mohammadian do very different types of work. Alizadeh is a sculptor, specializing in elegant stone or bronze renditions of animals, especially bulls, that in their elegant stylizations brim with

LAUNCH LA, Los Angeles (NOVEMBER 14—DECEMBER 5, 2015) With their reconfigured pudding-like puddles of blossoming color interlaced with psychedelic delectability, Marion Lane’s paintings are a sort of contemporary hybrid of the poured creations of Lynda Benglis and dazzling op-art innuendos – all accompanied by mysterious echoes of