Art in Los Angeles is always in season. Whether contemporary, modern, or works from ages past, this year’s line up of art extravaganzas delivers objets from every genre. Each exhibition offers up art to stir our hearts and minds and to inflame our desire to acquire.
Public intervention in a designed environment can animate surfaces, mobilize boundaries that unfold into immeasurable expansions in their use, and turn private space inside out into public domain. Nate Page investigates the intangible issues of psychological significance that tend to be ignored in environmental decisions.
Here in the heart of Hollywood, the equivalent of a casting call for visual artists seems entirely appropriate. Not unlike its entertainment industry counterpart, the art world is a fiercely competitive realm. Recognizing this, one organization has been devoted to helping emerging artists gain a
Spanbock’s large formal controlled sweeps of the brush, laden with limited palette ranges, both engage with aspects of painting, particularly abstract expressionism, while refuting the emotionalism of the gestural movement. The paintings rely on the basics—color, stroke, materiality, and composition—but retain their identity as markers
MELIKSETIAN | BRIGGS Gallery, West Hollywood (OCTOBER 31, 2015—JANUARY 9, 2016) Like many conceptual artists, Aura Rosenberg produces individuated series, diverse in medium and scope, with and without collaborators, in short-term and ongoing motivic structures. Who Am I? What Am I? Where Am I? is a long-term
