In mutating various methodologies of painting’s past, Bradley utilizes Photoshop to order the information. This allows his work to investigate the languages of painting distanced from the original source and with a dispassionate eye. Of course, during the actual painting, some intuitive elements return, but
PHOTO: ANNE VAN AERSCHOTT It seems as of late real conversation has become a dying art. The back and forth of dialog has been reduced to slogans and silences, and white noise for the eye. Text messages are no more than information blips bereft of expressive
Artists Corner Gallery is pleased to present Eric Stampfli’s photographic exhibition STILL, curated by Phil Tarley. The show opens October 17 and runs through November 21, 2015. In 1928, Georgia O’Keeffe painted enormous orange poppies. “If I could paint the flower exactly as I see it,”
In the summer of 2013, a train traveled 4,000 miles from New York City to San Francisco. It was a kinetic light sculpture, decked out in LED lights that responded to motion and sound. On board was an eclectic mix of artists, musicians and writers
At LACMA’s exhibition Variations: Conversations in and Around Abstract Painting, which closed in March 2015, Dianna Molzan’s small, spare work occupied a wall towards the rear of the gallery space. In the midst of monumental works by Mark Bradford, Mark Grotjahn, and Rashid Johnson, Molzan’s
