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Assimilations of constructed pitches waste away into an ad hoc arrangement of undifferentiated fields where wood, metal and any other material in percussionist Ted Byrnes’ striking range, weld, shred, transpose and invert into a microtonal cyclone that could undulate deadening silence. In what could be

Spanbock’s large formal controlled sweeps of the brush, laden with limited palette ranges, both engage with aspects of painting, particularly abstract expressionism, while refuting the emotionalism of the gestural movement. The paintings rely on the basics—color, stroke, materiality, and composition—but retain their identity as markers

CAROLINE TUFENKIAN FINE ARTS, GLENDALE (NOVEMBER 8—DECEMBER 10, 2015) Over the past few years, the Yerevan-born, Berlin-based Sam Grigorian has generated a remarkable body of collage—remarkable not only for the delicacy of its tonality and the power of its non-objective imagery, but for its dramatic engagement of

SEYHOUN GALLERY, WEST HOLLYWOOD Brothers of Turkish extraction living and working in Iran, Ali Alizadeh and Ebrahim Mohammadian do very different types of work. Alizadeh is a sculptor, specializing in elegant stone or bronze renditions of animals, especially bulls, that in their elegant stylizations brim with