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October 14–November 11, 2017   In blending motifs culled from architecture, design and nature, these two artists already make work that constitutes its own study in contrasts and hybridity; exhibited together, multiple crosscurrents bring out facets of each in the most enlightening manner. Taking full advantage of

September 16, 2017–January 28, 2018   Part—perhaps even the high point—of Pacific Standard Time: LA/LA, Golden Kingdoms: Luxury and Legacy in the Ancient Americas, is a spectacular exhibition created by Metropolitan Museum curator Joanne Pillsbury, Getty Museum director Timothy Potts and Getty Center researcher Kim Richter. It’s

It is logical that the paintings of Los Angeles artist Amir H. Fallah contravene logic. They are surprisingly harmonious composites of numerous unrelated, even contradictory, parts. While his paintings involve complex layering and the deliberately distorted treatment of light—suggesting three-dimensional space—the subjects are flat. Whereas

For five decades, Ben Sakoguchi has maintained a clear and consistent artistic vision, addressing a variety of heated topics, including war, racism, bigotry, politics, slavery, AIDS, human folly and art-world economics. Rather than approach such potentially controversial issues in an obtuse or confrontational manner, Sakoguchi

When in 2002 Justin Jampol founded the Wende Museum, dedicated to preserving cultural artifacts of the Cold War (1945-1991), few could have foreseen the bittersweet circumstances of today’s geopolitics, circumstances that have conspired to make the institution and its archive of more than 100,000 objects