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January 7-28, 2018   Kio Griffith’s installation simulated characteristics of algorithmic systems using pre-digital media such as books, newspapers and cardboard boxes from vinyl record album sets. The project was inspired by the artist’s recent discovery of his late father’s diaries, which prompted him to think about

March 3-April 28, 2018   Katherine Sherwood has had a longstanding interest in brain structure as holographic paradigm. In the early 1990s, she began incorporating imagery of the human brain, along with satellite imagery, as motifs in her painting. Although thematically different, both kinds of imagery appeared

January 20-March 3, 2018   Monica Wyatt’s mesmerizing solo exhibition Continuum, takes the viewer for a ride through a theme park of the imagination. Born of a synthesis of art and science—both artistic invention and intervention—formerly quotidian objects morph into dreamlike assemblage constructions. Objects once forgotten, abandoned,

January 21–June 3, 2018   The Romantic notion of the sublime continues to haunt our consciousness, often accompanied by a healthy dose of critique. The concept, most famously articulated in the influential writings of Edmund Burke and Immanuel Kant, posits, in a simplified version, that a form