Regards Judith Geichman: Diamond September 12—October 24, 2018 Chicago-based artist Judith Geichman sees images and potential artworks in the stained concrete, spills and crumbling walls of the city. It’s because of this quality, of not being separate from the world nor simply illustrating it, that Geichman’s neutral-hued paintings
Corbett vs. Dempsey Celeste Rapone and Betsy Odom: Everlast September 21—October 27, 2018 The work of Celeste Rapone and Betsy Odom linked up seamlessly to advance an exhibition steeped in unequivocally gendered pictorial and sculptural invention. The exhibition’s title, Everlast, evokes the eponymous boxing glove manufacturer, suggesting a
Art Institute of Chicago Hairy Who? 1966—1969 September 26, 2018—January 6, 2019 The question mark in the title of the exhibition, Hairy Who? 1966-1969, suggests that we remain at least relatively unfamiliar with the dynamic synergy of the six Chicago artists who exhibited together in the late 1960s
Dallas Museum of Art Cult of the Machine: Precisionism and American Art September 16—January 6, 2019 Cult of the Machine: Precisionism and American Art presents an engaging and thorough investigation into the dialogue between fine art and industry during the era of American ascendance early in the last
David Shelton Gallery Vincent Valdez: Dream Baby Dream September 7—November 10, 2018 Some works of art possess the uncanny ability to attract new layers of significance. Usually this happens over a long period of time, but on occasion, new meanings accrue quickly. Such is the case with the
