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September 21, 2017–December 7, 2017   Jacques Derrida deconstructed Plato’s concept of khôra, stating, “One cannot even say of it that it is neither this nor that or that it is both this and that.” If that sounds perfectly unclear, that is the point. In ancient Greece,

September 17–November 4, 2017   Franklin Williams emerged in the early 1960s with the burgeoning Funk movement in northern California, exercising astounding technique on whatever materials and formats he essayed. The results are as beautiful, peculiar and even hilarious now as they were a half-century ago. There’s

October 21–December 1, 2017   Erika Lizée’s installations are mathematically driven. She finds beauty in the complex patterns of geometry and uses phenomena like the Fibonacci sequence to create forms that follow the curves of the golden spiral. In her multi-layered works, Lizée assembles painted pieces of

November 11, 2017–January 27, 2018   The installation of Adam Silverman’s current exhibition at Cherry and Martin is immediately striking. A circle cut through the gallery’s dividing wall, à la Gordon Matta-Clark, becomes a proscenium through which a promenade is constructed. This elevated pathway consists of darkly

November 2–December 16, 2017   This exhibition of a small number of massive new paintings represents a return to form for this vital and beloved contemporary master. Technically, the depth, richness and precision of Ford’s fantastical realism represents the pinnacle for watercolor on paper—even more impressive at