The death of William Dailey in an auto accident just before Christmas robbed the Los Angeles art and literary worlds of a singular figure, one admired for his erudition, appreciated for his bibliophilic endeavors and adored for his close and nurturing relationships with others of
In order to support transcendent sources of truth and reality, we find strategies to dispose of the clutter of authoritarian ideological garbage that automatically collects in our normal, well-adjusted minds. Doing so allows us to experience and appreciate the myriad beings around us, rather than
Nick Taggart’s home is nestled on a verdant hillside in Glassell Park, and every window frames a magnificent view of the garden that surrounds it. His second floor studio looks south, but vegetation blocks out the sensation that the murky cauldron of Los Angeles exists
Roberta Gentry’s paintings are modestly-scaled gems that begin on a gridded ground and extrapolate outward into self-described “impossible structures.” Every composition is—obsessively—symmetrical. As an abstract practitioner, Gentry is on the Agnes Martin side: she doesn’t like disorder in any form. She gains great satisfaction from
The world’s nations’ continuous need to operate and survive through this exuberant Anthropocene period has drained every earthly resource, reaching now into our privacy and attempting to control the flow of the Internet, our virtual river. People and industry continue to struggle in conflicting cultures.
